In the late 1800's, early devices called "push-ups" or
Vorsettzer were invented which, when rolled into place in front of most any
piano, would "play" the piano by means of a row of felt-covered fingers
hanging out its back side. The device was vacuum operated and depended upon
rolls of paper punched with holes to provide the music.
In the early 1900's, the vacuum operated mechanism was sufficiently
miniaturized to be shoehorned into the case of upright pianos with deepened
cases. These early version for the most part, with full 88 note scale for
human playing, "played" only 65 of the 88 notes. About 1912, the full scale 88
note player mechanism emerged as a general industry standard.
In the mid 1910, a few player pianos emerged, most in grand form, capable of
reproducing the expression and intent of the original recording artist. Many
of the legend masters of the piano recorded for this instrument. At the time,
it was simply a normal business transaction. However, these early recording
have had the effect of preserving for all time the artistry of these unique
people.
In all cases, these pianos depended upon the presence of paper music rolls
punched with holes. These rolls were the records of the day, later replaced by
disks, later replaced by wire recordings, later replaced by disks in variety
of evolutionary formats, later replaced by tape recordings in a variety of
evolutionary formats, and eventually replaced by CD's and DVD's in today's
market.
Only the paper music rolls make it possible today to hear a real piano played
by the legendary masters. All other subsequent recordings were fundamentally
simulations of the real performance. Unfortunately, the real player piano is
still dependent upon the original paper music rolls. While the piano itself
can be repeatedly restored into perpetuity, the original rolls cannot be
restored. Time is their fatal enemy. All of the original paper music rolls
will eventually become un-useable as they deteriorate over time as the picture
examples (see the example in the picture).
One format that is at least going to survive for as long as we can predict is
the midi-format. Musical Instrument Digital Interface, or MIDI, is an
industry-standard electronic communications protocol that defines each musical
note or event in an electronic musical instrument or show device such as a
synthesizer, precisely and concisely, allowing electronic musical instruments,
computers and other show equipment to exchange data in real time. MIDI does
not transmit audio—it simply transmits real time digital data providing
information such as the type and intensity of the musical notes and technical
cues played during a performance.
Not only makes this technique it possible to reproduce the piano roll
recordings by the old masters, it also makes it possible to listen the old
masters with perfect sound quality!